I found this absolutely hilarious.
The other, sadder truth is that the foreign films shown here, and at big festivals like Berlin, Venice, Toronto and New York, have never had less an impact on the average U.S. moviegoer than they do now. Long gone is the time when every American with a pretense to culture felt obliged to know all about ten or twenty top European or Asian directors. (Long gone is the time when Americans felt required to have a pretense to culture, let alone the real thing.) The winners of Cannes' top prize, the Palme d'Or, used to be guaranteed a healthy run in American art houses. But the franchise auteurs whose films are in this year's main competition — Jean-Pierre and Luc Dardenne from Belgium, Nuri Bilge Ceylan for Turkey, Jia Zhangke from China — have made hardly a dent in the States, on either moviegoers or young moviemakers. They are leaders without followers. |
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